10 Things We Learned fromAgatha All Along‘s Making of Documentary

The latestentry in Marvel ’s “ Assembled ” docudrama seriesdigs late into the first ( and perhaps , final ? ) season ofAgatha All Along . It was expel onYouTubefor consider convenience — but if you do n’t have an time of day to spare to watch it yourself , the follow are our top 10 takeout .

1.Agatha‘s costume designers went above and beyond

Without a question , the single most interesting thing we discover in the entire hour - long documentary is that the witches ’ wardrobes inAgatha All Alongare cover drumhead - to - toe in small details that that were never even designate to make it to riddle . Perhaps the most spectacular of these hide involution is what ’s inside the delightful coat Agatha start wear off in episode two . As revealed by costume designer Daniel Selon , the pelage was meant to draw out “ a solitary crow , ” and so , in summation to a pleated tail , the lapel represent how a bird ’s “ feathers put down together , ” there are vaporing ’s feet hide in the belt , and the jacket ’s purplish lining contains “ a murmuration of crows ” that appear to “ plunk down ” before morph into a series of unambiguously designed magic runic letter . It ’s absolutely bananas such commitment was made to theinterior liningof a coat never intended to be showcased on tv camera .

Of additional note , we ascertain the traffic pattern on Jennifer ’s pink dress control a pair of hands bound by rope to reflect her predicament , and that Alice ’s “ cyberpunk”-influenced crown has a back spot of a burning b charm by a “ seventh century samurai poem ” hold the line“barns burnt down , now I can see the moon . ” Very cool .

2. The coven actually played their own instruments

Kind of , anyway . Sasheer Zamata “ has a bass at home that she ’s watch to play , ” while Aubrey Plaza “ had a drum teacher for weeks ” and had a kit sitting in her rest home for a “ duet months ” before filming the jam - session vista in episode four . However , Ali Ahn already fuck how to play the piano , and Joe Locke “ played guitar for six month ” when he was 10 years honest-to-god and was capable to fake it well enough .

3. The recording studio was inspired by architect Bruce Goff

It ’s also let out in the documentary the recording studio the coven crush in was urge on by Bruce Goff , an eccentric mid-20th C architect whose maximalist design esthetic would often combine geometric configuration with natural stone , woodwork , and stained glass . To reflect the installment ’s “ fire trial ” paper , the production squad beat to oranges , blood-red , and yellows hue before bathing the cast in blue light to homage the master colors seen in Dario Argento ’s witchy classicSuspiria .

4. That broom-riding sequence was dizzy to film

Nothing to bestow ; being spun around in circles just looks like it was fun . In the words of Sasheer Zamata , “ It reminds me of thoseStar Warsrides at Disney World where you ’re in a container being jostled around . ” Patti LuPone additionally suggested she may have hurt her back doing it , but was too professional to hold anything .

5. The leader of the Salem Seven was indeed Vertigo

WhileAgatha All Alongtook some creative familiarity with the Salem Seven ( for one , they look likethisin the comics ) , we find out in the documentary their de facto “ loss leader ” covered in mallet eyltra was indeed referred to behind - the - scene as Vertigo . While this version of the character ( played by theater actressOkwui Okpokwasili ) was neither the daughter of the previous Nicholas Scratch nor had the power to induce extreme nausea in others , it ’s interesting they retained the name .

6. The slasher-themed cabin episode was meant to be the “Air” trial

So , this was surprising . While the flooding beach household and the burn off recording studio apartment were the show ’s “ piss ” and “ blast ” trials , it felt like the gimmick of using an primary theme for each of the series’Saw - inspired safety valve room was knock off now afterward . However , it ’s confirmed in the documentary that the eighties slasher - theme cabin test was meant to be the “ airwave ” challenge . In the words of yield house decorator John Collins , “ The trial in the cabin is the ‘ airwave ’ trial , so we were very cognizant of necessitate that superlative up above for the flying ghost of Enora and Agatha up in the air in here . ” While we would have assumed the trial set in the rotating castle with blade dropping from the ceiling would be a better reflection of gravity and its effects , on the face of it a have Agatha crawling around the ceiling was meant to kindle “ gentle wind . ”

7. Wiccan’s cape represents his parents

In another lesson of costume designers expire above and beyond , it ’s revealed the back of Wiccan ’s ness is cover in an scatty edition of the mark the Scarlet Witch wore in bothWandaVisionandDoctor Strange in the Multiverse of Madness , while the interior is shares the same pattern as Vision ’s cape sinceAge of Ultron .

8. The Witches’ Road set was entirely practical

According to Collins , no less than 55 single trees were sculpt for the Witches ’ Road , while steel armature cross in sculpting froth were used to create the separate roots the hag break off to create their broom . unlike folio colors were also used to denote the themes of each trial the coven was heading toward . Blue for water , red for fervor and then … violet for air travel , apparently .

9. The beach house exterior was a miniature

Speaking of practical effects , we also learn the exterior gibe of the beach house on the horizon was a illumination , ramp up to scale using a full set of blueprints . It took three weeks to build , and was kept roughly 60 infantry away from where the Witches ’ Road set comes to an abrupt halt . The cobwebby expensive and impracticality of this is probable why they used the good example doubly : once for the beach house and a second time for the transcription studio apartment .

10. Nicholas Scratch’s pet goat was highly uncooperative

Finally , the behind - the - view footage of Agatha writing “ The Ballad of the Witch ’s route ” with her young son proves the view was aggressively edited around the disobliging behavior of the child ’s Capricorn the Goat — which you’re able to in the image above look directly at the tv camera . ( As attest by Robert Eggers ’ difficulty with Charlie , the goat who played Black Phillip inThe Witch , as described in thisTHR audience — and thisGuardianarticle questioning why these animals are rarely see in film and television receiver — they’re a difficult specie to work with . )

IfAgatha All Alongis renewed for a 2nd season , we can assume this particular stooge will be quietly recast for any further flashback scenes , if not ignore outrightly .

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Agatha And Rio